Jerid P. Woods, Ph.D. ยท @ablackmanreading

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๐˜๐˜ถ๐˜จ๐˜ช๐˜ต๐˜ช๐˜ท๐˜ช๐˜ต๐˜บ, ๐˜ต๐˜ฉ๐˜ฆ๐˜ฏ, ๐˜ช๐˜ด ๐˜ข ๐˜ฅ๐˜ฆ๐˜ด๐˜ช๐˜ณ๐˜ฆ ๐˜ง๐˜ฐ๐˜ณ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ข ๐˜ด๐˜ฑ๐˜ช๐˜ณ๐˜ช๐˜ต ๐˜ฐ๐˜ง ๐˜ฆ๐˜ด๐˜ค๐˜ข๐˜ฑ๐˜ฆ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ต๐˜ณ๐˜ข๐˜ฏ๐˜ด๐˜จ๐˜ณ๐˜ฆ๐˜ด๐˜ด๐˜ช๐˜ฐ๐˜ฏ ๐˜ฐ๐˜ง ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฑ๐˜ณ๐˜ฐ๐˜ฑ๐˜ฆ๐˜ณ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฑ๐˜ณ๐˜ฐ๐˜ฑ๐˜ฐ๐˜ด๐˜ฆ๐˜ฅ. ๐˜๐˜ตโ€™๐˜ด ๐˜ข ๐˜ฅ๐˜ฆ๐˜ด๐˜ช๐˜ณ๐˜ฆ ๐˜ง๐˜ฐ๐˜ณ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฐ๐˜ถ๐˜ต๐˜ด๐˜ช๐˜ฅ๐˜ฆ, ๐˜ง๐˜ฐ๐˜ณ ๐˜ข ๐˜ฑ๐˜ญ๐˜ข๐˜บ๐˜ช๐˜ฏ๐˜จ ๐˜ฐ๐˜ณ ๐˜ฃ๐˜ฆ๐˜ช๐˜ฏ๐˜จ ๐˜ฐ๐˜ถ๐˜ต๐˜ด๐˜ช๐˜ฅ๐˜ฆ, ๐˜ข๐˜ฏ ๐˜ฐ๐˜ถ๐˜ต๐˜ญ๐˜ข๐˜ธ ๐˜ฆ๐˜ฅ๐˜จ๐˜ฆ ๐˜ฑ๐˜ณ๐˜ฐ๐˜ฑ๐˜ฆ๐˜ณ ๐˜ต๐˜ฐ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฏ๐˜ฐ๐˜ธ ๐˜ข๐˜ญ๐˜ธ๐˜ข๐˜บ๐˜ด ๐˜ข๐˜ญ๐˜ณ๐˜ฆ๐˜ข๐˜ฅ๐˜บ ๐˜ช๐˜ฎ๐˜ฑ๐˜ณ๐˜ฐ๐˜ฑ๐˜ฆ๐˜ณ ๐˜ท๐˜ฐ๐˜ช๐˜ค๐˜ฆ ๐˜ฐ๐˜ณ ๐˜ช๐˜ฏ๐˜ด๐˜ต๐˜ณ๐˜ถ๐˜ฎ๐˜ฆ๐˜ฏ๐˜ต. - ๐˜๐˜ณ๐˜ฆ๐˜ฅ ๐˜”๐˜ฐ๐˜ต๐˜ฆ๐˜ฏ I started Camonghne Felixโ€˜s ๐‘ณ๐’†๐’• ๐‘ป๐’‰๐’† ๐‘ท๐’๐’†๐’•๐’” ๐‘ฎ๐’๐’—๐’†๐’“๐’ , and every page is everything to me. But instead of waiting until Iโ€™m finished to talk about the kind of gift I know this book will be, I want to shout out my brother Joshua for introducing me to the work of Fred Motenโ€”what feels like so many years agoโ€”and for being such a conjure-man of sorts, the way he helped me conjure a new way of thinking about the art I love and the work. As I was reading this book, I thought, I wonโ€™t let another day go by with this photo of you making what Iโ€™ve started affectionately calling โ€œThe Pilgrimageโ€ down to @Baldwin & Co. live in my phone, unposted, my G. Iโ€™m mad thankful for you and your love for the proliferation of the tradition. #NOLA #booktok #poetry #blackmen #ablackmanreading